By Rick Baumgartner
Grasp the complicated realities of 3D put up creation workflows and suggestions with this different advisor.
Brimming with innovations which have been used on genuine 3D productions and will simply be integrated into your personal workflows, Rick Baumgartner's 3D Postproduction bargains you:
• the easiest practices for 3D preproduction and construction to make sure a tender submit technique, saving either time and money
• considerable workflow diagrams, monitor grabs, and checklists to augment your studying with visible cues
• universal postproduction issues reminiscent of dailies, meeting, slicing, and colour correction, and the way they range among 3D and 2nd submit pipelines
• Examples of 3D long past undesirable and the way these situations may be avoided
• In-depth interviews with operating execs and broad tutorials that offer useful perception from the trenches of real-world 3D postproduction
A spouse site (www.focalpress.com/cw/baumgartner) that includes undertaking records and movies demonstrating the 3D workflows coated within the book
An powerful 3D postproduction workflow enables more straightforward and extra versatile enhancing, larger capability for visible results enhancement, the facility to mend construction error, and masses extra. You can't come up with the money for to overlook out!
Bring your 3D initiatives to the following point with 3D Postproduction: Stereoscopic Workflows and Techniques.
Read Online or Download 3D Postproduction: Stereoscopic Workflows and Techniques PDF
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Extra resources for 3D Postproduction: Stereoscopic Workflows and Techniques
Workflows are a useful lens through which to understand and manage your project. But always remember that the workflow concept serves the show, not vice versa. The point is not to create a great workflow; it is to create a great show. 14). Of these, four are already familiar to 2D post practitioners: Managing, editorial, color and Visual Effects. Though each of these four workflows has key 3D-specific aspects we address in the upcoming workflow chapters, they are very similar to their 2D counterparts.
I use my positive influence and passion as a stereographer and camera engineer to help filmmakers have a great creative experience. I am passionate about 3D and I think people appreciate that. 4 Creative Intent Technical work is ultimately intended to support and enhance the creative work of postproduction by maximizing comfort and continuity. You do not need to address every issue, nor do you need to resolve every error. You (or your team leaders) choose which issues must be resolved and in which order.
9). 9 Core 3D Spatial Condition—Position. AREA OF INTEREST BEHIND SCREEN AREA OF INTEREST AT SCREEN AREA OF INTEREST IN FRONT OF SCREEN 22 OVERVIEW these spatial relationships is the primary creative technique of 3D, known as depth grading, which we discuss in Chapter 5. 3 Negative, Positive and Zero Parallax Changing parallax (in terms of both horizontal separation and relative position of L to R) over time results in moving the area of interest in a 3D frame away from or toward the viewer. Distant objects have a maximum parallax value; near objects also have a maximum parallax value.