By Dennis Curtin
This book/eBook package deal is your consultant to getting extra attention-grabbing and inventive images along with your Canon EOS electronic insurgent digicam - known as the EOS 300D in a few nations. on the way to examine extra in regards to the thoughts of images, this book/ebook is for you. It discusses each digital camera atmosphere in a transparent, well-illustrated type, however it additionally does even more. you will see why and in the event you use particular settings, not only how one can set them. you can find that this consultant is helping you speedy grasp your digicam so you will be getting the types of pictures you desire for. The publication is outlined in black & white and has a popular spiral binding that shall we the e-book lie flat or be folded again. The accompanying booklet on a CD disc is a printable and searchable full-color model of an identical e-book in Adobe's renowned PDF layout. it may be learn on a laptop or Mac utilizing the loose Acrobat Reader or any present internet browser. The CD additionally contains trial models of some of the author's favourite progra! ms.
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Additional resources for A Short Course in Canon EOS Digital Rebel Photography
Move farther away from the subject. ■ Switch to Av (aperture-priority) mode (page 29) or use program shift (page 25) to select a small aperture such as f/11. ■ Use Landscape mode (page 24). TIP ■ To check depthof-field in the viewfinder when using A-DEP mode, press the shutter button halfway down and hold it there as you press the depth-offield preview button (page 57). AUTO DEPTH-OF-FIELD AE (A-DEP) The Digital Rebel has an auto depth of field (A-DEP) mode specially designed to help you get the depth of field you want.
The autoexposure system doesn’t know the scene should look bright so it calculates an exposure that produces an image that is too dark. To lighten the image so it matches the original scene, you must override the camera’s automatic exposure system to add exposure. The snow scene here is typical of scenes that are lighter than middle gray. Most of the important tones in the scene are at the lighter end of the gray scale. The overall “average” tone would be about one stop brighter than middle gray.
In a landscape, on the other hand, often you may want everything sharp from close-up flower to distant mountain. Once you understand how to control depth of field, you will feel much more confident when you want to make sure something is—or isn’t—sharp. Here the greatest possible depth of field was used to keep everything sharp from the fighter’s needle nose to the background. To control how deep or shallow depth of field is, you have three factors to work with. Here the camera’s depth of field was just deep enough to keep the legs in focus.