By Ezra Pound
Ezra Pound’s vintage ebook in regards to the that means of literature, with a brand new creation by means of Michael Dirda.
This very important paintings, first released in 1934, is a concise assertion of Pound’s aesthetic thought. it's a primer for the reader who desires to continue an lively, serious brain and develop into more and more delicate to the sweetness and concept of the world’s most sensible literature. With attribute energy and iconoclasm, Pound illustrates his precepts with indicates meticulously selected from the classics, and the concluding “Treatise on Meter” presents an illuminating essay for a person desiring to learn and write poetry. ABC of examining monitors Pound’s nice skill to open new avenues in literature for our time.
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Additional info for ABC of Reading (New Directions Paperbook)
Clearly, Döblin wants us to reflect upon the connection between humans and animals. 30 Just as clearly, the slaughterhouse sequence seems to evade that rubric, as comparison shrinks away and the sheer horror of the treatment of the animals becomes its own study. The spectacle, moreover, has an uncomfortable resilience throughout the novel, felt, for instance, in the presence of cattle dealers, in descriptions of meat eating, in continual tabulations of slaughterhouse inventory, and even in direct revisions of the novel’s own statements of animal-human continuity, so that human loss is presented, finally, as more significant than the suffering of an animal.
Destruction, clearly, is at the core of the process. 65 Nevertheless, as the early twentieth century had begun to see, the first strike against the land often sets in motion an exploitative and expropriative process underpinned by violence and inequality. Most grotesquely, what can be at stake in all 32 AT THE VIOLET HOUR of this is the elimination of people, even populations. 66 In British works, where the configurations differ markedly, in part because national origins are not at issue in the same way, the pattern nevertheless has significant life, often (though not exclusively) in the colonial context.
Each, in contact with force, is subjected to its inexorable action, which is to render those it touches either mute or deaf,” she writes, and further: “Such is the character of force. Its power to transform human beings into things is twofold and operates on two fronts; in equal but different ways, it petrifies the souls of those who undergo it and those who ply it” (Weil, 61). Weil’s account of how perpetrator and victim are swept up together into a single phenomenon is deeply problematic as an ethical idea.