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By Seymour Chwast, Steven Heller

THE artwork of recent YORK is a rare homage to the energy, strength, good looks and magic of a superb urban For the 1st time, work, drawings, sculptures, and prints by way of top twentieth-century artists were collected jointly to shape an insightful, loving portrait of "Oz at the Hudson."

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Washington. C. : - . New York. 1925. Lithograph on paper, l(J%x9". Museum of American Art, New York City. John L H. Baur Louis Lozowiek. Whitney Purchase Fund Ernest Fiene. Empire State Building from My Wiiidou: 193U. Lithograph, \4VixSVa". Collection Mr and Mrs. Laurence Casper Opposite: Charles Sheeler New York No. 2. 1951. OU on canvas, 27xl8V8". Munson-Williams-Proctor Utica. New York Institute, Martin Lewis. Simbath. c. 1935. Lithograph. lO'/sxlS'A" Courtesy Associated American Artists, New York City Lyonel Feininger.

Ofl on canvas, 28Vix21V2'. -ersiU- of Nebrasfca-Lincota '~ ^-"-— An AssodatkML Russell Patterson. Falling off the Wagon, Ballyhoo. 1932. Pen and ink, 8y4x20". Courtesy Graham Gallery, New York City II k H W D m I n: I q I i A x: wm I 1 Piet Mondrian. Oil on canras. oOx5u Given anom-mously Broadway Boogit Woogie. 1942-43. Museum of Modem Art. New York Cin-. Gerald Thomas. (detail). New York Biblico No. 2 1981. Oil and watercolor on paper, 100x55". Collection the artist josepn ateua. The Port (first panel of the series New York Interpreted").

ITi Museum and Sculpture Garden. Smithsonian Institution. Washington. C. : - . New York. 1925. Lithograph on paper, l(J%x9". Museum of American Art, New York City. John L H. Baur Louis Lozowiek. Whitney Purchase Fund Ernest Fiene. Empire State Building from My Wiiidou: 193U. Lithograph, \4VixSVa". Collection Mr and Mrs. Laurence Casper Opposite: Charles Sheeler New York No. 2. 1951. OU on canvas, 27xl8V8". Munson-Williams-Proctor Utica. New York Institute, Martin Lewis. Simbath. c. 1935. Lithograph.

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