Download Brian De Palma's Split-Screen: A Life in Film by Douglas Keesey PDF

By Douglas Keesey

During the last 5 many years, the movies of director Brian De Palma (b. 1940) were one of the greatest successes (The Untouchables, project: Impossible) and the main high-profile disasters (The Bonfire of the Vanities) in Hollywood background. De Palma helped release the careers of such favorite actors as Robert De Niro, John Travolta, and Sissy Spacek (who was once nominated for an Academy Award as top Actress in Carrie). certainly Quentin Tarantino named Blow Out as one in all his most sensible 3 favourite movies, praising De Palma because the most sensible dwelling American director. Picketed via feminists protesting its depictions of violence opposed to girls, Dressed to Kill helped to create the erotic mystery style. Scarface, with its over-the-top functionality by way of Al Pacino, is still a cult favourite. within the twenty-first century, De Palma has persevered to test, incorporating components from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his most modern works. What makes De Palma the sort of maverick even if he's making Hollywood style motion pictures? Why do his videos frequently characteristic megalomaniacs and failed heroes? Is he in simple terms a misogynist and an imitator of Alfred Hitchcock? to respond to those questions, writer Douglas Keesey takes a biographical method of De Palma's cinema, displaying how De Palma reworks occasions from his personal existence into his motion pictures. Written in an obtainable sort, and together with a bankruptcy on each of his motion pictures up to now, this e-book is for a person who desires to understand extra approximately De Palma's arguable movies or who desires to larger comprehend the guy who made them.

Show description

Read or Download Brian De Palma's Split-Screen: A Life in Film PDF

Similar film books

The Disney Song Encyclopedia

This e-book describes and discusses over 900 of the main well-known and not-so-famous songs from Disney movies, tv, Broadway, and subject parks from the Nineteen Thirties to the current day, and does so in nice aspect to figure out precisely what it really is that makes them so memorable. It encompasses a thesaurus of music phrases, a listing of the entire Disney songs and their assets, a songwriter's listing during which each tune by way of every one composer/lyricist is indexed, a bibliography, a consultant to recordings and DVDs of Disney productions, and an index of individuals and titles.

Pauline Kael: A Life in the Dark

Selected through the recent York occasions e-book overview as a impressive ebook of the 12 months

the 1st biography of the recent Yorker's influential, strong, and debatable movie critic.

A decade after her demise, Pauline Kael is still crucial determine in movie feedback this day, partially as a result of her personal inimitable sort and tool in the movie group and partially end result of the huge, immense impact she has exerted over a complete next iteration of movie critics. in the course of her tenure on the New Yorker from 1967 to 1991 she used to be a tastemaker, a occupation maker, and a occupation breaker. Her brash, vernacular writing type frequently made for a wierd healthy on the stately New Yorker.

Brian Kellow offers us a richly specific examine essentially the most impressive bursts of creativity in movie heritage and a rounded portrait of this striking (and usually relentlessly pushed) girl. Pauline Kael is a ebook that may be welcomed through an identical viewers that made Mark Harris's photographs at a Revolution and Peter Biskind's effortless Riders, Raging Bulls bestsellers, and by way of someone who's fascinated with the facility of feedback within the arts.

Histoire du cinéma français (3e édition)

Ce livre retrace les grandes lignes de l'aventure du « septième paintings » évoquant l. a. création des studios de creation et les grands réalisateurs, de Méliès à Pialat ou Garrel, de l'Herbier à Bresson ou Godard en passant par Vigo, Clair ou Renoir.

United Artists: The Company that Changed the Film Industry: Volume 2, 1951-1978

During this moment quantity of Tino Balio’s background of United Artists, he examines the turnaround of the corporate within the fingers of Arthur Krim and Robert Benjamin within the Nineteen Fifties, whilst United Artists devised a winning technique in keeping with the financing and distribution of self reliant construction that remodeled the corporate into an chief.

Additional resources for Brian De Palma's Split-Screen: A Life in Film

Sample text

Or, put otherwise, how have later generations of ¤lmmakers used, and transformed, the national cinema’s foundational sound-¤lm techniques? As the conclusion shows, old sound-¤lm techniques endure into the present, where, in new industrial and aesthetic circumstances, they continue to distinguish French ¤lms relative to those from other ¤lm-producing countries. 16 Cinema’s Conversion to Sound 1 Sound’s Impact on Film Style: The Case for Homogenization As an object of ¤lm-historical study, sound conversion, with its outstandingly complex mix of forces and conditions, imposes formidable demands.

An image whose sound is dubbed may, in phenomenological terms, differ radically from one whose sound has been direct-recorded, just as the same shot sequence might well take on a transformed stylistic identity through a change in the nature of the sound accompaniment. An awareness of this mutability was implicit in much of the ¤lm criticism in conversion-era France. As will be discussed in chapter 3, French ¤lms were typically categorized by sound technique, in recognition that the viewer’s experience of a ¤lm might vary considerably in light of whether the sound was direct-recorded, dubbed, or manipulated via some multi-track combination of both techniques.

For many countries, ¤lms from the United States were often key to the idea of sound cinema. The United States, the world’s ¤rst major sound-¤lm producer, had a two- to four-year lead on Europe’s major national ¤lm industries, which began experimenting with producing sound ¤lms commercially only in 1929—three years after the ¤rst Vitaphone productions. By then, the American ¤lm industry, Sound’s Impact on Film Style 23 which was already close to monopolizing distribution in parts of Europe, exported a backlog of dozens of sound features to countries with soundequipped theatres.

Download PDF sample

Rated 4.10 of 5 – based on 29 votes