Neo-noir is aware its earlier. It understands the principles of the sport — and the way to damage them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational worldwide phenomenon. This wide-ranging assortment maps out the terrain, combining style, stylistic and textual research with Marxist, feminist, psychoanalytic and commercial methods. Essays talk about works from the U.S., united kingdom, France, Japan, South Korea, Hong Kong and New Zealand; key figures, comparable to David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; significant conventions, equivalent to the femme fatale, paranoia, nervousness, the town and the hazard to the self; and using sound and colour.
Source: Overdrive Retail PDF