By Sandra Petrowitz
Traveling and images is an ideal fit, yet photographers are frequently upset that their photographs fail to fulfill the standard in their inventive aspirations. This e-book combines theoretical details, functional suggestion, and useful feedback for taking larger photographs whereas touring, even if you're on a neighborhood journey, having fun with your annual summer season holiday or exploring a extra unique, distant vacation spot. This e-book contains descriptions for a way to scrupulously compose photographs, keep away from universal errors, and accomplish a special conception of locations which were photographed repeatedly earlier than. fantastically illustrated with pictures from around the world, this advisor can assist you discover your own perspective, so that it will result in remarkable trip photos.
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Extra info for The Traveling Photographer: A Guide to Great Travel Photography
Kathleen (K): My father was a shutterbug, so I was raised with photography in my blood. In high school I enjoyed learning the basics of black & white, including darkroom techniques. Because my high-school guidance counselor discouraged me from studying photography in college, I majored in computer programming and marketing. After college I was employed as a computer programmer, but I never felt like I was going down the right path. When my son turned three, I left my job to stay home and raise him, and my husband became the sole bread- winner.
Appointments may take place at the studio or in the client’s home by using a laptop and portable projection screen. After viewing digital projections, most clients purchase large wall portraits for their homes. We have happily dispensed with paper proofs. What products do you offer? P: Since we limit the number of different items offered for sale, we do not offer albums or packages. Although we offer smaller print sizes, our goal is wonderful wall portraits. We stopped framing our portraits to spend more time on producing quality portraits.
We capture everything in RAW format. We back up our images to the hard drive as soon as the session is over, then to an alternate drive, and then to CD. Backups are good insurance in postproduction. We edit the previews and present the best to the client. Once the client orders, we do our own retouching using Photoshop and Painter, then upload images to the lab for printing. We rely on the lab to do black & white conversion as well as color balancing. How do you present your images to clients? K: Clients set up workshop appointments to view their images projected on a 3x4-foot screen.